Dark Dreams

Dark Dreams


jamvega asked: zevran or alistair

jamvega asked: zevran or alistair

jamvega asked: zevran or alistair
jamvega asked: zevran or alistair

(via lesbianingwarden)


I had  w i n g s once, and they were  s t r o n g. They could carry me above the clouds and into the headwinds, and they never faltered. Not even once. But they were stolen from me.

I had  w i n g s once, and they were  s t r o n g. They could carry me above the clouds and into the headwinds, and they never faltered. Not even once. But they were stolen from me.

I had  w i n g s once, and they were  s t r o n g. They could carry me above the clouds and into the headwinds, and they never faltered. Not even once. But they were stolen from me.

I had  w i n g s once, and they were  s t r o n g. They could carry me above the clouds and into the headwinds, and they never faltered. Not even once. But they were stolen from me.

I had  w i n g s once, and they were  s t r o n g. They could carry me above the clouds and into the headwinds, and they never faltered. Not even once. But they were stolen from me.

I had  w i n g s once, and they were  s t r o n g. They could carry me above the clouds and into the headwinds, and they never faltered. Not even once. But they were stolen from me.

I had  w i n g s once, and they were  s t r o n g. They could carry me above the clouds and into the headwinds, and they never faltered. Not even once. But they were stolen from me.

I had  w i n g s once, and they were  s t r o n g. They could carry me above the clouds and into the headwinds, and they never faltered. Not even once. But they were stolen from me.

I had  w i n g s once, and they were  s t r o n g. They could carry me above the clouds and into the headwinds, and they never faltered. Not even once. But they were stolen from me.

(via mistress-of-the-night)

asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.
asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.
asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.
asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.
asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.
asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.
asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.
asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.
asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.
asylum-art:

Donato Giancola and Fred Harper
Facebook
Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.

asylum-art:

Donato Giancola and Fred Harper

Facebook

Currently on view at New York City’s Last Rites Gallery, Donato Giancola and Fred Harper’s respective solo shows take viewers into strange worlds influenced by science fiction and fantasy. Donato Giancola’s “Silent Tragedies” is a rich series of oil paintings set in a distant realm where mechanical meets Medieval. Painting with a filmmaker’s eye, he depicts his protagonists in pivotal moments of their adventures. Fred Harper’s show “Virus Like Us” takes viewers into a megalopolis where biomorphic shapes become architectural structures (H.R. Giger appears to be a big influence). Harper attributes his interest in strange cityscapes to the culture shock he experienced when coming to New York from a small Pennsylvania town. Both shows are on view through October 4, so check them out while you still can.

(via asylum-art)

jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real
jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real
jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real
jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real
jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real
jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real
jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real
jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real
jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real
jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero



Is he even real

jagk-seat-gatorade:

ifonlywewereamoungstfriends:

deathcabforkehan:

shipwreckedatseaa:

jakehellrose:

gnarville:

Proof that Bill Murray really is the most interesting man in the world.

That’s why I love this guy.

bill fuckin murray

my hero

Is he even real

(via salios)

sonofbaldwin:

knowledgeequalsblackpower:

dhaarijmens:

bemusedlybespectacled:

washingtonpost:

In a post-Ferguson world, Americans increasingly doubt the notion of colorblind justice.

HOW THE FUCK DID THE PERCENTAGE GO UP FOR WHITE PEOPLE
IN WHAT UNIVERSE DOES A POLICE OFFICER SHOOTING AN UNARMED BLACK KID (AND THEN ATTEMPTING TO COVER IT UP AFTER THE FACT) CONSTITUTE EQUAL TREATMENT IN THE JUSTICE SYSTEM
LIKE WHO LOOKS AT THAT AND GOES “WELL, BEFORE I THOUGHT THAT THERE WAS RACISM IN OUR JUSTICE SYSTEM, BUT THEN THIS SHIT HAPPENED AND NOW I SEE THAT IT’S PERFECTLY EQUAL”
WHAT THE FUCK

This increase can be explained by an interesting social phenomenon called ‘denial.’

They benefit from not knowing.. and from believing in myths. 

Comparing beliefs before and after Michael Brown’s murder and the surrounding revelations of racism that have sprung out of it, white people, as a demographic believe, MORE THAN EVER BEFORE, that the criminal justice system treats whites and blacks equally.That is, MORE white people believe the criminal justice system treats black equally now than they did before Michael Brown’s death.In essence, for white people, blatant systemic oppression and the murder of an unarmed young black man gives them even more reason to believe blacks are treated fairly by the system.This confirms an earlier study that said the more you tell white people that the system is inherently racist, the more they supported harsher punishments for black people: http://thinkprogress.org/justice/2014/08/07/3468368/study-white-people-support-harsher-criminal-laws-if-they-think-more-black-people-are-arrested/Marinate on these inhumanities for a second.

sonofbaldwin:

knowledgeequalsblackpower:

dhaarijmens:

bemusedlybespectacled:

washingtonpost:

In a post-Ferguson world, Americans increasingly doubt the notion of colorblind justice.

HOW THE FUCK DID THE PERCENTAGE GO UP FOR WHITE PEOPLE

IN WHAT UNIVERSE DOES A POLICE OFFICER SHOOTING AN UNARMED BLACK KID (AND THEN ATTEMPTING TO COVER IT UP AFTER THE FACT) CONSTITUTE EQUAL TREATMENT IN THE JUSTICE SYSTEM

LIKE WHO LOOKS AT THAT AND GOES “WELL, BEFORE I THOUGHT THAT THERE WAS RACISM IN OUR JUSTICE SYSTEM, BUT THEN THIS SHIT HAPPENED AND NOW I SEE THAT IT’S PERFECTLY EQUAL”

WHAT THE FUCK

This increase can be explained by an interesting social phenomenon called ‘denial.’

They benefit from not knowing.. and from believing in myths. 

Comparing beliefs before and after Michael Brown’s murder and the surrounding revelations of racism that have sprung out of it, white people, as a demographic believe, MORE THAN EVER BEFORE, that the criminal justice system treats whites and blacks equally.

That is, MORE white people believe the criminal justice system treats black equally now than they did before Michael Brown’s death.

In essence, for white people, blatant systemic oppression and the murder of an unarmed young black man gives them even more reason to believe blacks are treated fairly by the system.

This confirms an earlier study that said the more you tell white people that the system is inherently racist, the more they supported harsher punishments for black people: http://thinkprogress.org/justice/2014/08/07/3468368/study-white-people-support-harsher-criminal-laws-if-they-think-more-black-people-are-arrested/

Marinate on these inhumanities for a second.

(via justice4mikebrown)

super-goddessartemis:

ALL HAIL BREOGÁN on deviantart for this delicious picture!!!!!!
Sorry had to wipe my drool

super-goddessartemis:

ALL HAIL BREOGÁN on deviantart for this delicious picture!!!!!!

Sorry had to wipe my drool

themoonphase:

omg
themoonphase:

omg
themoonphase:

omg
themoonphase:

omg
themoonphase:

omg
themoonphase:

omg
the-lady-of-mirkwood:

dontknowchev:

What a waste of space.

did you just
the-lady-of-mirkwood:

dontknowchev:

What a waste of space.

did you just

the-lady-of-mirkwood:

dontknowchev:



What a waste of space.

did you just

(via stuckyyyy)

angrywocunited:

khymeira:

howtobeafuckinglady:

please refrain from making transphobic comments and just like appreciate how amazing amiyah’s hair is 

What a time to be alive

angrywocunited:

khymeira:

howtobeafuckinglady:

please refrain from making transphobic comments and just like appreciate how amazing amiyah’s hair is 

What a time to be alive

image

(via stuckyyyy)

lukeskywalkersseveredhand:

posthumorlessly:

thetallblacknerd:

sugahsrevolution:

lucyintheskywithfandoms:


#the moment I knew I had to be indiana jones

This was actually Harrison Ford improvising. There was supposed to be a long complicated battle where he used the whip to disarm the guy, but Harrison had dysentery and it was hot and he said “Hey Steven can I just shoot him?” and Spielberg liked it so much it went in the movie.

Dysentery never looks so delicious

That guy who he shot spent months training with the sword

Ford was literally on the verge of dying during this part of the production.

First rule of the Doctor Jones fandom ALWAYS reblog this gifset when it comes on your dashboard.
lukeskywalkersseveredhand:

posthumorlessly:

thetallblacknerd:

sugahsrevolution:

lucyintheskywithfandoms:


#the moment I knew I had to be indiana jones

This was actually Harrison Ford improvising. There was supposed to be a long complicated battle where he used the whip to disarm the guy, but Harrison had dysentery and it was hot and he said “Hey Steven can I just shoot him?” and Spielberg liked it so much it went in the movie.

Dysentery never looks so delicious

That guy who he shot spent months training with the sword

Ford was literally on the verge of dying during this part of the production.

First rule of the Doctor Jones fandom ALWAYS reblog this gifset when it comes on your dashboard.
lukeskywalkersseveredhand:

posthumorlessly:

thetallblacknerd:

sugahsrevolution:

lucyintheskywithfandoms:


#the moment I knew I had to be indiana jones

This was actually Harrison Ford improvising. There was supposed to be a long complicated battle where he used the whip to disarm the guy, but Harrison had dysentery and it was hot and he said “Hey Steven can I just shoot him?” and Spielberg liked it so much it went in the movie.

Dysentery never looks so delicious

That guy who he shot spent months training with the sword

Ford was literally on the verge of dying during this part of the production.

First rule of the Doctor Jones fandom ALWAYS reblog this gifset when it comes on your dashboard.
lukeskywalkersseveredhand:

posthumorlessly:

thetallblacknerd:

sugahsrevolution:

lucyintheskywithfandoms:


#the moment I knew I had to be indiana jones

This was actually Harrison Ford improvising. There was supposed to be a long complicated battle where he used the whip to disarm the guy, but Harrison had dysentery and it was hot and he said “Hey Steven can I just shoot him?” and Spielberg liked it so much it went in the movie.

Dysentery never looks so delicious

That guy who he shot spent months training with the sword

Ford was literally on the verge of dying during this part of the production.

First rule of the Doctor Jones fandom ALWAYS reblog this gifset when it comes on your dashboard.

lukeskywalkersseveredhand:

posthumorlessly:

thetallblacknerd:

sugahsrevolution:

lucyintheskywithfandoms:

#the moment I knew I had to be indiana jones

This was actually Harrison Ford improvising. There was supposed to be a long complicated battle where he used the whip to disarm the guy, but Harrison had dysentery and it was hot and he said “Hey Steven can I just shoot him?” and Spielberg liked it so much it went in the movie.

Dysentery never looks so delicious

That guy who he shot spent months training with the sword

Ford was literally on the verge of dying during this part of the production.

First rule of the Doctor Jones fandom ALWAYS reblog this gifset when it comes on your dashboard.

(via stuckyyyy)